Techniques for Mounting Compared to Other Types in Photo Framing

Wet mounting is the best option if you don’t want to use pressure mounting but also don’t want to utilize heat during the process. Before affixing the photograph to the mount board, wet glue or paste is applied to the surface of the mount board. Utilize a piece of glass or another firm surface to apply pressure to the photos while you wait for the glue to cure, which might take anywhere from four to twenty-four hours depending on your glue choice.

The mounting procedure is low-cost, and the adhesive may be entirely cured in as little as 24 hours. No extra equipment or matting boards are required unless you specifically request them. Because this mounting technique is not archival, it should not be used for anything that will be shown for an extended period. If you are not cautious when applying the glue or if you use too much paste, it is likely that the adhesive will go on the front of the photograph.

Mounting Using Spray Adhesive

It is possible to utilize spray adhesives in lieu of wet mounting if you want to keep things as clean as possible. Simply turn the photos upside down and spray the glue onto it to complete the process. Before you place the image on the mount board, you should coat the sides, tops, and bottom edges of the large photo frame with matte finish spray paint. Using your hand, carefully smooth down the edges of the piece once it has been secured in place.

Because you can manage the quantity of spray you use, this mounting approach can help you save money by reducing waste. They are also a far more portable alternative than other options since they are packaged in either big or tiny cylindrical containers. It may be difficult to reposition the image once it has been mounted, and you may also discover that this mounting process is not as durable as dry or wet mounting. In addition, when working with spray adhesives, it is critical to work in an environment that is adequately ventilated.

Float mounting is a method of attaching a floating object to a surface.

It is possible that float mounting will be the most convenient alternative in some cases. Rather than peeking out of the mat, the picture seems to be floating above it when using this mounting approach. It is especially handy for photographs that have a rough edge that you do not want to be hidden by the background. The back of the photograph is hinged using gummed hinging tape in this approach. It has a strong grip and may be removed later.

This is a suitable mounting option to utilize when you have rough paper or edges, worn papers, or other older images and watercolours. This mounting option, however, is not recommended for newer photographs and watercolours. It will not do any damage to the back of the artwork or photograph. It is also possible to effortlessly remove the picture later if you decide to use a different mounting method. It is fairly like conservation mounting in that the procedure may take you a little longer to complete than it would with certain other mounting methods.

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